“Dancing, a series of movements involving two partners, with speed and rhythm much harmoniously with music.”
While the captain asked the computer, like an innocent child, curiously and mournfully, “Computer, define ‘dancing’!”, Wall-E and Eve were skimming over outside the window, soaring in the universe;
While the computer was explaining the definition of “dancing” mechanically, the two beautiful curves were defining “dancing” proudly in knowing that they were no longer alone;
And while all the people forgot the beauty that they once had, the creations of human were pursuing it sincerely and frankly.
At this moment, a man and a woman moved their eyes from the screen to outside the window. They suddenly discovered the beauty of the real world, and held each other’s rather cumbersome hands abruptly. The flame of humanity has been rekindled in their eyes.
Classic Pixar
Since Toy Story, all Pixar movies followed a certain mode: a short store in a big world, an insignificant person, an intended purpose, a potential evil force, a group of supporting roles who had trouble with the leading role in the beginning and finally became companion in misfortune with him, and a conventional happy ending.
Surprisingly, instead of being boring, this mode is, if anything, unique. After having tried friendship, family and father-son relationship themes, Pixar moved to love story this time.
Hello Dolly’s original soundtrack— the cheerful Put on Your Sunday Clothes brings audiences to the future worlds. There are, outwardly, endless skyscrapers one connects to another in a dull atmosphere. And with the camera zoom in, the buildings seem weird —they are all piled up by rubbish.
Suddenly, the back ground music changed to empty echoes of the city, which do sound dreary, delivering the feeling of the end of the world. This scene is no longer unfamiliar with us—just like the New York City in I Am Legend but without so much rubbish.
Then a busy working robot appears–this is our Wall-E, and the music was from his radio. On the one hand, playing this date music in the a large pile of trash shows Wall-E is unreconciled to be degenerated and is pursuing romantic; on the other hand, it satirised the reality that the earth has completely been occupied by rubbish and no human being still lives there anymore.
All the people now are living in a spacecraft—Axiom, where apparently has realised communism. Every person there is equal—equal social position, equal free, equal rich, equal fat and equal lazy.
This “blasted ship” provides people a too comfortable and indulgent life for more than 700 years.
When the captain was waking up and walking to the main deck, Blauen Donau began to play.
Simple but touching
The lines between Wall-E and Eve remain no more than repeating each other’s name, but are completely enough.
An animation is aiming at injecting life and soul into the cold 3D skeletons, and this movie is doing well to this end. Wall-E and Eve, they even don’t have mouths, but the three magical kisses between them are always so touching. It makes the human mind stands bewildered in the presence of its own creations.
This movie, Wall-E condensed and recreated a variety of American values. The US is the most pluralistic and diverse country in the world, but it still has its own traditional value concept.
We can, sometimes, capture a flicker of Gump’s spirit from Wall-E. That is how the Americans summed up their own national spirit— enduring hardships, working hard toughly and tenaciously, because they are fool and awkward.\
